BOX
A custom recording
label, one which offered
some Rockabilly items as well as the usual home-grown Country music and
Club / Cabaret material. Box was based in Heckmondwyke, Yorkshire. Many of
its records were produced or engineered by
Bill Clarke, which suggests that he
may well have been the driving force behind the company. Singles, EPs and LPs
appear to have generally shared the same BOX-00 numbering system; from some
point in 1977 EPs gained an 'EP' suffix and LPs an 'LP' one. I
haven't seen any number higher than BOX-23, from 1976, which suggests that they may
have started at BOX-20 in that
year or in 1975. The latest Box that I have seen listed was Country
Sunshine's 'Are You Teasing Me' EP (BOX-59; 1983), so it seems reasonable to guess that
Box was in business from c.1976 to c.1984. Being an independent, Box went
to various companies to get its pressings done. Some early Boxes were manfactured
by the Anglia Pressing Company (1) (see 'Yarmouth Recording
Studios'), and 1976-77 saw the appearance of injection moulded labels (2) which indicate
Phonodisc pressings. 1978 started with paper labels in orange or blue, with the
'BOX' name in large letters (3, 4); it finished with the name being given a
hollow font - again the labels came in various colours, including pale
orange or shades of green (5). From 1979 onwards manufacture was done through custom recording firm
SRT (q.v.) and the records gained SRT catalogue or matrix numbers: the
Kelly Duo and Brian & Friends EPs shown above (6, 7) were cases in point, as can be
seen from the SRTS/79/CUS and BOX numbers at three o'clock. The label layout
of those EPs was the standard one which SRT used for its private pressings; only the colour
and the name changed from company to company -
see Esoteric for another example. An EP by the Rockabilly Rebs (SRTS/79/CUS-524 / BOX-48 EP) had
the orange SRT-type label but no Box logo. The discography below lists all the
Box records from the 1970s that I have managed to track
down. Thanks to Nicholas Hough for the first scan, to Robert Bowes for the
second, and to John Timmis for the third.

Copyright 2006 Robert
Lyons.